Narrative
The impact is on dancers and audiences in North West England. Choreographic practice in live dance performance was found through a collaborative research programme to build particular relationships with audiences. Where audience feedback influences the choreographic process the subsequent effect on how audiences respond to performances is marked. Strong links between audiences and dancers can enhance creativity in performers, and enrich and expand the imaginations and sensibilities of audiences. On the basis of this kind of empathetic relationship, the Manchester Dance Consortium has worked to enhance locally the quality of dance as a cultural asset and to intensify the involvement and receptivity of dance audiences.Impact date | 2014 |
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Category of impact | Cultural impacts, Societal impacts |
Impact level | Benefit |
Related content
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Research output
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Rhythmic Subjects: Uses of Energy in the Dances of Mary Wigman, Martha Graham and Merce Cunningham
Research output: Book/Report › Book › peer-review
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Kinesthesia, empathy, and related pleasures: An inquiry into audience experiences of watching dance
Research output: Contribution to journal › Article › peer-review
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The experience of watching dance: Phenomenological-neuroscience duets
Research output: Contribution to journal › Article › peer-review
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Kinesthetic Empathy and the Dance's Body: from emotion to affect
Research output: Chapter in Book/Conference proceeding › Chapter
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Dance and Neuroscience - New Partnerships'
Research output: Contribution to journal › Article › peer-review