Deirdre Reynolds

2017

Hearing Touch and the Art of Kinesthetic Crossmodality

Reynolds, D., 2017, (Accepted/In press) Music-Dance: Sound and Motion in Contemporary Discourse. Veroli, P. & Vinay, G. (eds.). London and New York: Routledge, p. 222-234 12 p. (Musical Cultures of the Twentieth Century).

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

2016

Spectators’ Aesthetic Experience of Sound and Movement in Dance Performance: A Transdisciplinary Investigation

Reason, M., Jola, C., Kay, R., Reynolds, D., Kauppi, J.-P., Grosbras, M.-H., Tohka, J. & Pollick, F., 2016, In: Psychology of Aesthetics, Creativity, and the Arts.

Research output: Contribution to journal › Article › peer-review

The Body is the Frontline

Reynolds, D. & Kay, R., 2016, Choreographies of 21st-Century War. Morris, G. & Giersdorf, J. R. (eds.). Oxford: Oxford University Press, p. 241-267 26 p.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

2013

Empathy, Contagion and Affect: The Role of Kinesthesia in Watching Dance

Reynolds, D., 2013, Touching and to be Touched: Kinesthesia and Empathy in Dance and Movement. Brandstetter, G., Egert, G. & Zubarik, S. (eds.). Berlin: de Gruyter, Walter GmbH & Co, p. 209-229 20 p.

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Researching Dance Across Disciplinary Paradigms: A Reflective Discussion of the Watching Dance Project

Reynolds, D., Reason, M., Grosbras, M.-H. & Pollick, F., 2013, Affective Performance and Cognitive Science. Shaughnessy, N. (ed.). London: Bloomsbury Publishing PLC, p. 39-56 17 p.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

2012

Kinestbetic Empathy in Creative and Cultural Practices

Reynolds, D. & Reason, M., 2012, Bristol, UK: Intellect Ltd.

Research output: Book/Report › Anthology › peer-review

Kinesthetic Empathy and the Dance's Body: from emotion to affect

Reynolds, D., 2012, Kinesthetic Empathy in Creative and Cultural Practices. Bristol: Intellect Ltd

Research output: Chapter in Book/Report/Conference proceeding › Chapter

The experience of watching dance: Phenomenological-neuroscience duets

Jola, C., Ehrenberg, S. & Reynolds, D., Mar 2012, In: Phenomenology and the Cognitive Sciences. 11, 1, p. 17-37 20 p.

Research output: Contribution to journal › Article › peer-review

2011

Dance and Neuroscience - New Partnerships'

Reynolds, D., Jola, C. & Pollick, F., 2011, In: Dance Research. 29, 2, p. 258-267 9 p.

Research output: Contribution to journal › Article › peer-review

2010

'Glitz and glamour' or atomic rearrangement: What do dance audiences want?

Reynolds, D., May 2010, In: Dance Research. 28, 1, p. 19-35 16 p.

Research output: Contribution to journal › Article › peer-review

Introduction: Evaluating Dance: Discursive Parameters

Reynolds, D. (Editor), 4 Sept 2010, In: Forum for Modern Language Studies. 46, 4, p. 351-488

Research output: Contribution to journal › Special issue › peer-review

Introduction to Evaluating Dance: Discursive Parameters

Reynolds, D., 16 Sept 2010, In: Forum for Modern Language Studies. 46, 4, p. 351-355

Research output: Contribution to journal › Article › peer-review

Open Access

Kinesthesia, empathy, and related pleasures: An inquiry into audience experiences of watching dance

Reason, M. & Reynolds, D., Dec 2010, In: Dance Research Journal. 42, 2, p. 49-75 26 p.

Research output: Contribution to journal › Article › peer-review

Special Issue Editorial: Screen Dance Audiences - why now?

Reason, M. & Reynolds, D., Nov 2010, In: Participations: International Journal of Audience Research. 7, 2

Research output: Contribution to journal › Editorial › peer-review

2009

Response to skin and the self: Cultural theory and Anglo-American psychoanalysis'

Reynolds, D., Sept 2009, In: Body and Society. 15, 3, p. 25-32 7 p.

Research output: Contribution to journal › Article › peer-review

2008

Kinesthetic Rhythms

Reynolds, D., 2008, Rhythms: Essays in French Literature, Thought and Culture,. Lindley, E., McMahon, L. & Lang, P. (eds.). Bern: Peter Lang, p. 103-118 15 p.

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2007

Rhythmic Subjects: Uses of Energy in the Dances of Mary Wigman, Martha Graham and Merce Cunningham

Reynolds, D., 2007, Dance Books Ltd.

Research output: Book/Report › Book › peer-review

2006

Mallarmé and the decor of modern life

Reynolds, D., Aug 2006, In: Forum for Modern Language Studies. 42, 3, p. 268-285 17 p.

Research output: Contribution to journal › Article › peer-review

2005

Energies of Resistance in Twentieth-century Dance: Post/modern Moments

Reynolds, D., 2005, Sur quel pied danser: Danse et littérature. Nye, E. (ed.). Rodopi

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2004

The possibility of variety

Reynolds, D., 2004, In: Dance Theatre Journal. 20, 2

Research output: Contribution to journal › Article › peer-review

2002

A Technique for Power: Reconfiguring Economies of Energy in Martha Graham's Early Work

Reynolds, D., 2002, In: Dance Research. 20, p. 3-32

Research output: Contribution to journal › Article › peer-review

2000

Le mouvement pur et le silence déplacé par la voltige

Reynolds, D., 2000, Situating Mallarme. Berne: Peter Lang

Research output: Chapter in Book/Report/Conference proceeding › Chapter

The Kinesthetics of Chance: Mallarmé's 'Un coup de Dés' in relation to the Avant-garde Choreography of Merce Cunningham

Reynolds, D., 2000, Symbolism, Decadence and the 'fin-de-siecle' : French and European Perspectives. Exeter: University of Exeter Press

Research output: Chapter in Book/Report/Conference proceeding › Chapter

1999

Dancing as a Woman: Mary Wigman and 'Absolute Dance'

Reynolds, D., 1999, In: Forum for Modern Language Studies. 35

Research output: Contribution to journal › Article › peer-review

1998

Changing steps: New directions in French dance

Reynolds, D., 1998, In: French Cultural Studies. 9, 25, p. 97-114 17 p.

Research output: Contribution to journal › Article › peer-review

'Imagination and Semiotic Transitions in Painting and Poetry'

Reynolds, D., 1998, Word and Image Interactions II. Heusser, M. (ed.). Rodopi

Research output: Chapter in Book/Report/Conference proceeding › Chapter

The Dancer as Woman: Loie Fuller and Stephane Mallarme

Reynolds, D., 1998, Impressions of French Modernity: : Art and Literature in France, 1850-1900. Hobbs, R. (ed.). Manchester: Manchester University Press, p. 155-172

Research output: Chapter in Book/Report/Conference proceeding › Chapter

1997