Research output per year
Research output per year
- 13 results
Search results
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2017
Hearing Touch and the Art of Kinesthetic Crossmodality
Reynolds, D., 2017, (Accepted/In press) Music-Dance: Sound and Motion in Contemporary Discourse. Veroli, P. & Vinay, G. (eds.). London and New York: Routledge, p. 222-234 12 p. (Musical Cultures of the Twentieth Century).Research output: Chapter in Book/Conference proceeding › Chapter › peer-review
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2016
The Body is the Frontline
Reynolds, D. & Kay, R., 2016, Choreographies of 21st-Century War. Morris, G. & Giersdorf, J. R. (eds.). Oxford: Oxford University Press, p. 241-267 26 p.Research output: Chapter in Book/Conference proceeding › Chapter › peer-review
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2013
Empathy, Contagion and Affect: The Role of Kinesthesia in Watching Dance
Reynolds, D., 2013, Touching and to be Touched: Kinesthesia and Empathy in Dance and Movement. Brandstetter, G., Egert, G. & Zubarik, S. (eds.). Berlin: de Gruyter, Walter GmbH & Co, p. 209-229 20 p.Research output: Chapter in Book/Conference proceeding › Chapter
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Researching Dance Across Disciplinary Paradigms: A Reflective Discussion of the Watching Dance Project
Reynolds, D., Reason, M., Grosbras, M.-H. & Pollick, F., 2013, Affective Performance and Cognitive Science. Shaughnessy, N. (ed.). London: Bloomsbury Publishing PLC, p. 39-56 17 p.Research output: Chapter in Book/Conference proceeding › Chapter › peer-review
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2012
Kinesthetic Empathy and the Dance's Body: from emotion to affect
Reynolds, D., 2012, Kinesthetic Empathy in Creative and Cultural Practices. Bristol: Intellect LtdResearch output: Chapter in Book/Conference proceeding › Chapter
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2008
Kinesthetic Rhythms
Reynolds, D., 2008, Rhythms: Essays in French Literature, Thought and Culture,. Lindley, E., McMahon, L. & Lang, P. (eds.). Bern: Peter Lang, p. 103-118 15 p.Research output: Chapter in Book/Conference proceeding › Chapter
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2005
Energies of Resistance in Twentieth-century Dance: Post/modern Moments
Reynolds, D., 2005, Sur quel pied danser: Danse et littérature. Nye, E. (ed.). RodopiResearch output: Chapter in Book/Conference proceeding › Chapter
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2000
Le mouvement pur et le silence déplacé par la voltige
Reynolds, D., 2000, Situating Mallarme. Berne: Peter LangResearch output: Chapter in Book/Conference proceeding › Chapter
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The Kinesthetics of Chance: Mallarmé's 'Un coup de Dés' in relation to the Avant-garde Choreography of Merce Cunningham
Reynolds, D., 2000, Symbolism, Decadence and the 'fin-de-siecle' : French and European Perspectives. Exeter: University of Exeter PressResearch output: Chapter in Book/Conference proceeding › Chapter
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1998
'Imagination and Semiotic Transitions in Painting and Poetry'
Reynolds, D., 1998, Word and Image Interactions II. Heusser, M. (ed.). RodopiResearch output: Chapter in Book/Conference proceeding › Chapter
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The Dancer as Woman: Loie Fuller and Stephane Mallarme
Reynolds, D., 1998, Impressions of French Modernity: : Art and Literature in France, 1850-1900. Hobbs, R. (ed.). Manchester: Manchester University Press, p. 155-172Research output: Chapter in Book/Conference proceeding › Chapter
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1997
Dancing Free: Women's Movements in Early Modern Dance
Reynolds, D., 1997, Modernism, Gender and Culture. New York: Garland PublishingResearch output: Chapter in Book/Conference proceeding › Chapter
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1993
'Rhythmic Structures and Imaginary Space in Rimbaud, Mallarmé, Kandinsky and Mondrian'
Reynolds, D., 1993, Word and Image Interactions. Heusser, M. (ed.). Wiese VerlagResearch output: Chapter in Book/Conference proceeding › Chapter