Eithne is the author of two books Nuthin' but a G Thang: The Culture and Commerce of Gangsta Rap (Columbia University Press, 2005) and A Piece of the Action: Race and Labor in Post-Civil Rights Hollywood (Columbia University Press, 2019), which won the BAAS Prize for Best Book of 2020.

She recently led an Arts & Humanities Research Council (AHRC) project: Prosecuting Rap: Criminal Justice and UK Black Youth Expressive Culture (see website).

Growing out of this project, she is currently conducting a project on Tackling Racial Bias in the Judiciary, based on a Simon Fellowship at The University of Manchester. Read the co-authored project report Racial Bias and the Bench.

Eithne has also published multiple peer reviewed articles in the areas of race, inequalities, cultural industries and representational justice.

My research concentrates on race politics in the cultural industries and criminal justice systems of the US and UK since the 1970s, with a particular focus on Black popular culture and institutional racism.

I am working with lawyers and Manchester researchers on a new project on Tackling Racial Bias in the Judiciary -- a study exploring racism, inclusion and antiracism training among judicial office holders in England and Wales. This work emerged from a Simon Fellowship when we hosted barrister Keir Monteith KC at The University of Manchester in 2021-22.

A recent major project examined race politics in the Hollywood industry since the 1960s, exploring the interface between screen representations and battles to reform and transform production cultures in a period of racial reconfiguration and retrenchment. Major outputs were the monograph A Piece of the Action: Race and Labor in Post-Civil Rights Hollywood (Columbia University Press, 2020) and articles in Journal of American History, Screen, Popular Communication, Velvet Light Trap and Cinema Journal. The project was supported by the Leverhulme Trust and the Arts and Humanities Research Council (AHRC).

My previous book Nuthin' But a 'G' Thang: The Culture and Commerce of Gangsta Rap (Columbia University Press) looked at the emergence and development of gangsta rap in the 1980s and 1990s.

Following its publication, I started serving as an independent expert in cases in which defendants' rap lyrics and videos were relied on as incriminating evidence. See blog post. This work became the project Prosecuting Rap: Criminal Justice and UK Black Youth Expressive Culture supported by an AHRC Leadership Fellowship (2020-21). 

Eithne edited an In-Practice in Journal of American Studies on Teaching Environmental American Studies in a Time of Crisis (2021). She teaches the courses:

• Race and Criminal Justice (1st year seminar)
• American Cultural Studies (2nd year core)
• Climate Change & Culture Wars (3rd year special subject)
• Hip Hop Studies (MA option)

I welcome enquiries from prospective PhD students in the fields of

• Racism and inequalities in the criminal legal system
• US cultural industries (film and popular music) since the 1960s
• Race and representation in media, culture and the law
• Popular culture, activism and social change (environmental action; criminal justice; subcultures; antiracism).

I have been lead supervisor on nine successfully completed doctoral projects.

Eithne is a full member of the Academy of Experts, the professional society and accrediting body for expert witnesses. She is also a member of the British Society of Criminology; British Association for American Studies; and Media, Communication & Cultural Studies Association.