Felicia Chan

Phone+44 (0) 161 275 8963
EmailFelicia.Chanmanchester.acuk

Accepting PhD Students

PhD projects

I have supervised a number of PhDs to completion and am happy to discuss proposals with prospective PhD applicants. My main interests are in the socio-economic, political and institutional structures that underpin cultural production and reception, rather than in reading representations textually. These include the constructions of national/cultural imaginaries in film and other media forms; film festival spaces and cultures; cosmopolitanism and film; diasporic or exilic cinema; historiographical approaches. Geographical focus: East and Southeast Asia, before, during and after European colonisation.

Student theses

5 results
- Title
- Award date(ascending)

Blurred Boundaries and Eroded Independence: An Alternative History Written by Chinese Independent Documentary
Sun, C. (Author), Valassopoulos, A. (Supervisor) & Chan, F. (Supervisor), 31 Dec 2024
Student thesis: Phd

File
Transnational Television Aesthetics: National Culture and the 'Global' Prestige Drama
Watts, R. (Author), Butler, D. (Supervisor) & Chan, F. (Supervisor), 1 Aug 2020
Student thesis: Phd

File
A Performance of Time: The Intersecting Temporalities of Cinema and Dementia
Deng, M. (Author), Butler, D. (Supervisor) & Chan, F. (Supervisor), 1 Aug 2020
Student thesis: Phd

File
In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975)
Ahmed, O. (Author), Ghosh, A. (Supervisor) & Chan, F. (Supervisor), 31 Dec 2019
Student thesis: Phd

File
The Circulation of Chinese Cinemas in the UK: Studies in Taste, Tastemaking and Film Cultures
Elliott, F. (Author), Chan, F. (Supervisor), 1 Aug 2018
Student thesis: Phd

File

Felicia Chan

Supervised Work

Search results

Blurred Boundaries and Eroded Independence: An Alternative History Written by Chinese Independent Documentary

Transnational Television Aesthetics: National Culture and the 'Global' Prestige Drama

A Performance of Time: The Intersecting Temporalities of Cinema and Dementia

In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975)

The Circulation of Chinese Cinemas in the UK: Studies in Taste, Tastemaking and Film Cultures