Kostas is Senior Lecturer in Museology at the University of Manchester. Also, he is currently (till June 2023) Research Curator at the Manchester Art Gallery.

Kostas has a MA and PhD in Museum Studies from the University of Leicester and a first degree in History and Archaeology from the Aristotle University of Thessaloniki, Greece.

His research interests cross the fields of museology, archaeology, cultural heritage, and digital media. His expertise lies in the area of Digital Heritage that includes the theory and practice of digital technology in museums, galleries and heritage sites. He’s particularly interested in the museology of technology, that is the critical analysis of the use of digital, social and mobile media in museums for purposes of curation, interpretation, evaluation and audience engagement.

Since 2017 Kostas has been working with the Manchester Art Gallery and Archives+ in archiving and researching the material recovered from the spontaneous memorials after the Manchester Arena bombing on 22^nd May 2017. This work explores explore conceptual, practical and ethical challenges in archiving spontaneous memorials, including the preparedness of cultural authorities to respond to the timeframe and public expectations of these memorials; issues of public participation; and the expansion of the spontaneous memorialisation on digital and social media. Kostas is also working on the formation of an international community of practice and support network on rapid response, emergency documentation and long-term archiving and use of spontaneous memorials. 

Kostas is, also, investigating the viability of the use of collection and visitor data and AI-generated 3D scans of museums and galleries to offer museum staff and audiences opportunities to interact with eXtended Reality (XR) museum spaces, multi-layered content, and avatars of visitors.

He’s also interested in the intersection of heritage activism and digital/social media and, in particular, the role and impact of social media in: the co-production and crowd-sourcing of interpretations of the past; how these interact with notions of authority in cultural professionalism; and the formation and maintenance of (online) communities and networks of interest in cultural heritage. His other research interests include: how museums have collected, interpreted and exhibited everyday life; professionalism in museums and galleries; and the interpretation and communication of archaeological collections and built heritage.

Kostas's research interests cross the fields of museology, archaeology, cultural heritage, and digital media. His expertise lies in the area of Digital Heritage that includes the theory and practice of digital technology in museums, galleries and heritage sites. He is particularly interested in the use of mobile and social media in museums for purposes of curation, interpretation and audience engagement. His other research interests include: archiving and interpretation of spontaneous memorials; how museums have collected, interpreted and exhibited everyday life; professionalism in museums and galleries; and the interpretation and communication of archaeological collections and built heritage.

His current research activity includes: 

• Documentating and archiving spontaneous memorials and their use and impact on cultural policy and practice. This focuses on the case of the "Manchester Arena Archive" that includes tangible, intangible and digital material related to the spontaneous memorials after the Manchester Arena bombing on 22^nd May 2017. This work explores conceptual, practical and ethical challenges in archiving spontaneous memorials, including the preparedness of cultural authorities to respond to the timeframe and public expectations of these memorials; issues of public participation; and the expansion of the spontaneous memorialisation on digital and social media.
• The XR Museum. Merging physical and virtual interfaces to create eXtended Reality (XR) experiences for cultural audiences: This feasibility project will analyse the viability of the use of collection and visitor data and AI-generated 3D scans of museums and galleries to offer museum staff and audiences opportunities to interact with eXtended Reality (XR) museum spaces, multi-layered content, and avatars of visitors.
• Heritage activism and digital/social media: the role and impact of social media use in: the co-production and crowd-sourcing of interpretations of the past; how these interact with notions of authority in cultural professionalism; and the formation and maintenance of (online) communities and networks of interest in cultural heritage.  

Key Research Projects

• Museum without walls: Using AI, 3D and VR technologies to co-produce immersive experiences for remote museum visitors. Funded by the University of Manchester Research Institute (UMRI) (2021-22)
• Knowledge Transfer Parternship (KTP) with Port Sunlight Village Trust (2022-2023).
• Creating, Documenting and Using Archives of Spontaneous Memorials (Since 2017) 
• The XR Museum. Merging physical and virtual interfaces to create eXtended Reality (XR) experiences for cultural audiences (2021)
• Culture Metrics: A Shared Approach to Measuring Quality (2014-15)
• Digital Cultural Engagement of Older Audiences (2013-14)
• 'Afterlife' of Heritage Research: Developing research students' and Early Careers Researchers' skills for the transition from academia to public, profession and business (2012-13)
• Museums and Restitution (2010)

Conference Organisation

• Creating, Documenting and Using Archives of Spontaneous Memorials, International Workshop, Manchester 20-21 September 2018
• Researching Digital Cultural Heritage, International Conference, Manchester, 28 November - 1st December 2017
• Museums and Restitution, International Conference, University of Manchester, 8-9 July 2010

Latest Conference Panels

• Archiving spontaneous memorials: Community engagement, participation and co-production, Panel, Memory Studies Association Conference, Madrid, 25-28 June 2019
• "Theorising Digital Museum Objects", Colloquium, The Inclusive Museum Conference, Manchester 15-17 September 2017

Latest Talks

• "Ethics of Care in Collecting Spontaneous Memorials". Remembering/Imaging Terror Conference, University of Birmingham, 14-16 September 2022
• "The role of spontaneous memorials' collections in the memorialisation of terror attacks". Memorial needs and the victims of terrorism Conference, 17 May 2021
• "Can digital archives be emotive? Developing a digital platform for the Manchester Together Archive" (with Jenny Marsden), DCDC, 13th November 2019, Birmingham
• "Collecting and interpreting public grief through material left at large-scale spontaneous  memorials", Urgent Collecting Roundtable, 29 October 2019, National September 11 Memorial Museum, New York
• "The “Manchester Together” Archive: co-producing a heritage of memory". In Memory Studies Association Conference, Madrid, 25-28 June 2019
• "Developing a digital archive of a spontaneous memorial: the case of the Manchester Together Archive". In Curating contemporary digital data in museums, University of Graz, 11th February 2019 
• “Archiving the spontaneous memorials of the Manchester Arena bombing” (with Amanda Wallace), DCDC, 21st November 2018
• “Documenting and Archiving Spontaneous Memorials: the case of the Manchester Arena bombing”, Association of Critical Heritage Studies (ACHS) Conference 2018, Hangzhou, 1-6^thSeptember 2018
• “Collecting the public response to the Manchester Arena bombing”, In The ethics of collecting trauma: what is the role of museums in recording and displaying contemporary events, International Workshop, Doha, 7-9 May 2018
• “Museum Avatars”, The Inclusive Museum Conference, Manchester 15-17 September 2017
• ‘Amphipolis 2.0 Authority, Archaeology and Social Media Activism’, Association of Critical Heritage Studies Conference, Montreal, 6-10 June 2016
• 'Data culture and organisational practice: Using big data sets to assess the quality of cultural work and experiences', Museums and the Web 2016, Los Angeles, CA, USA, 6-9 April 2016

Esteem Indicators

• Managing Editor, Museum and Society Journal
• Society of American Archivists, Member of the Crisis, Disaster, and Tragedy Response Working Group
• Founder of the International Network of Archives of Spontaneous Memorials
• Editorial Review Board Member, SAGE Open
• Peer Reviewer for journals such as Journal of Material Culture, Museum and Society, Culture Unbound, Museology, Journal of Conservation and Museum Studies, Participation, International Journal of Media and Cultural Politics
• Visiting Lecturer at the Inter-University Postgraduate Programme in Museology at the Aristotle University of Thessaloniki, Greece
• Steering Group, Museum of Medicine and Health, University of Manchester
• Founding Member of CHIMERA (Cultural Heritage, Identity and Memory Research Area) at the University of Manchester
• Founder of the Association of Greek Museologists, Greece
• International Network for Classical Archaeological University Collections

Current PhD Students

• Althea Cupo, Identifying Barriers to Learning in the Presentation of Difficult History
• Catalina Delgado Rojas, State-sponsored symbolic reparations in an ongoing conflict society
• Susana Sanchez-Gonzalez, Opening the “numinous” book: Exploring the “reading experience” as a curatorial and engagement tool in book exhibitions
• Qinyue Liu, New Media Artists and Conservators: Bridging the Gaps between Personal and Institution-based Media Art Preservation Practices
• Henriette Pleiger, Interdisciplinary Exhibitions and the Production of Knowledge 
• Robert Simpson, ‘A community united will never be broken’: Spontaneous Memorialisation as an Act of Community Resilience and Social Solidarity
• Matt Smith, Das Auto, the People’s Car: DIY heritage car restoration and wellbeing

Completed MPhil/PhDs

• Dr Frances Liddell (2022) The Digital Lives of Cultural Objects: Blockchain and data-driven decision making in the cultural sector
• Dr Maria Paula Arias (2021) Social Media and Museum Brands as Networks: An Actor-Network Theory Study of the Manchester Art Gallery
• Ifigeneia Anagnostou (2019) Re-reading and re-writing the Greeks: Redevelopments of Greek Collections in UK University Museums at the dawn of the 21st century (MPhil)
• Dr Chiara Zuanni (2016), Mediating the past: museums and public perceptions of archaeology
• Dr Julian Hartley (2015), Museums and the Digital Public Space: Researching digital engagement practice at the Whitworth Art Gallery 
• Dr Rob McCombe (2012), Gold Under Gravel, Gold Under Glass: Anglo-Saxon Material Culture through Excavation, Collection and Display 1771-2010

PhD applications

PhD examinations

• 2022. Lukas Hugnes-Noehrer. Artificial Intelligence, Museum Environments and Their Constituents: A Cross-disciplinary Study Using Recommender Systems to Explore Digital Collections (PhD) (Internal Examiner)
• 2020. Chiara Bartolini. An Audience-Oriented Approach to Online Communication in English: The Case of European University Museums' Websites. University of Bologna (PhD) (External Examiner)
• 2019. Shuchen Wang. Atoms and Bits of Cultural Heritage. The Public Use of Dunhuang Collections in Knowledge Making, Nation (Empire) Building, Museum Diplomacy, Cultural Tourism and Digital Economy. Aalto University (PhD) (External Examiner)
• 2019. Lauren Vargas. Understanding digital maturity through data collection and use. University of Leicester (PhD) (External Examiner)
• 2019. Alex McDonagh. Discovering Towneley Park: a digital and multimethod approach to understanding the effects of a digital heritage interpretation of a Lancashire park. University of Salford (PhD) (External Examiner)
• 2016. Nathan Matthews. Spatio-Temporality and Digital Tourism in Industrial UNESCO World Heritage Sites. University of South Wales (PhD) (External Examiner)
• 2015. Genevieve Alelis. Older and Younger Adults’ Interactions with Cultural Heritage Artefacts Outside a Museum. University of Kent (PhD) (External Examiner)
• 2015. Amy Hetherington. Designing for the Post-Millennials: What Assumptions are made by Staff in Museums about Child Digital Literacy when Designing Digital Interactives? University of Leicester (External Examiner)
• 2015. Bronwen Colquhoun. Photography, Knowledge and Communities: The Role of Flickr The Commons in Reimagining and Reappropriating Historic Photographic Collections. Newcastle University (External Examiner)
• 2013. Cristiano Agostino. The Contemporary Digital Museum in Theory and Practice. University of Edinburgh (External Examiner)
• 2013. Halona Norton-Westbrook. Between The 'Collection Museum' and The University: The Rise of the Connoisseur-Scholar and the Evolution of Art Museum Curatorial Practice, 1900-1940. University of Manchester (Internal Examiner)
• 2009. Maria Sklirou. Beyond access initiatives of Greek museums. University of Manchester (MPhil) (Internal Examiner)

Social Responsibility and Cultural Engagement Grants and Projects

• 2021. Documenting the Cultural Heritage of Trauma, SALC SR and Cultural Engagement Funds 2021-22. £4,975
• 2020. Use of 3D scan in teaching and learning, SALC Cultural Engagement Funds 2020-21. £4,000
• 2019. Humanities Innovation in Teaching, 30 August 2019; £4,988
• 2019. Faculty Engaging with our communities fund. £1,000
• 2019. SALC Social Responsibility Funding. £2,000
• 2019. Faculty SR in the Curriculum fund. £2,000
• 2018. “Trees of Hope: Hybrid ecologies of remembering the Manchester Arena bombing”, SALC Environmental Sustainability; May. £1,050
• 2018. ‘Medical Collection and Exhibibition’, Faculty SR in the curriculum application 2018-19. £2,000
• 2017. ‘Developing Archiving and Cultural Practices of Spontaneous Memorials’, SALC Social Responsibility and Cultural Engagement funding schemes. £2,000
• 2017. VR Game on Sustainability. Faculty SR in the Curriculum. £2,000
• 2017. ‘Medical Collection Development’, Faculty SR in the curriculum application. £2,000
• 2017. Faculty of Humanities, Engaging with our communities funding call 2017-18. £1,500
• 2016. ‘Refugee Crisis’ student project, Faculty of Humanities, ‘Engaging with our communities’. £1,500
• 2016. ‘Refugee Crisis’ student project (exhibition and event), SALC External Relations. £3,000
• 2016. ‘Curating Medical Objects’, Faculty SR in the curriculum application 2016-17. £2,000
• 2016. 'Co-producing a Virtual Reality Immersive Game with university students and museum audiences’, University of Manchester, Learning Enrichment Fund. £4,990
• 2016. 'Art, Digital Culture and Pokemon: Engaging young audiences with animal survival and extinction’, University of Manchester, Environmental Sustainability. £2,000
• 2016. Faculty SR Fund, towards the Professional Practice Project module’s exhibition and event in Chetham’s Library. £800
• 2016. SALC Cultural Engagement Fund, towards the Professional Practice Project module’s exhibition and event in Chetham’s Library. £950
• 2015. Developing the Museum of Medicine and Health into a Platform for Public Engagement. Wellcome Trust. £4,995
• 2014. Social Responsibility in the Curriculum. Faculty of Humanities, University of Manchester. £2,000.

Social Responsibility Awards

• 2021. Social Responsibility Commended Award
• 2018. Making a Difference Commended Award
• 2015. Making a Difference Certificate