Personal profile
Overview
I am a PhD candidate in Drama at the Martin Harris Centre for Music and Drama. My scholarly work focuses on modern American drama, postwar British theatre, Shakespeare studies, postcolonial cinema, and theories of censorship. Additionally, I have a keen interest in playwriting, stage directing, and the theory and practice of dramatic composition. My current research critically examines Shakespearean adaptations and appropriations in twenty-first-century Persian theatre, with particular attention to discourses of censorship and dissidence. This study explores how Shakespearean characters and themes are repositioned in contemporary Iran to introduce the original plays to new audiences and, more importantly, to serve as a vehicle for sociopolitical commentary. Specifically, it investigates how these adaptations articulate dissent against theatre censorship and the discursive regulation surrounding women and dissidents.
Research interests
Postwar British theatre
Shakespeare Studies
Theatres of modernity
Contemporary Persian Theatre
Theatre Directing
Theatre and Censorship
Postcolonial Filmmaking
Qualifications
MA in English, 2009-2011
BA in English, 2004-2009
Prizes and awards
2024 - Associate Fellowship (AFHEA), University of Manchester, UK
2021 - present: Fully-sponsored by AHRC for doctoral research, University of Manchester, UK
2011 - MA Thesis awarded Outstanding (95%), Azad University of Karaj, Iran
Expertise related to UN Sustainable Development Goals
In 2015, UN member states agreed to 17 global Sustainable Development Goals (SDGs) to end poverty, protect the planet and ensure prosperity for all. This person’s work contributes towards the following SDG(s):
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SDG 16 Peace, Justice and Strong Institutions
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Research output
- 7 Article
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Modernity and Conflicted Selves in Abdolreza Kahani’s Cinema: An Analysis of By No Reason
Farhadi, R. & Ashrafi, H., 24 Feb 2023, In: Quarterly Review of Film and Video. p. 1-18Research output: Contribution to journal › Article › peer-review
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Theatrical Adaptation of Ibsen’s An Enemy of the People in Iran: The Intellectual and Modernity in Akbar Radi’s The Decline
Farhadi, R., 30 May 2023, In: Ibsen Studies. 23, 1, p. 1 27 p.Research output: Contribution to journal › Article › peer-review
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Staging Socrates: The Public Intellectual and Democracy in Maxwell Anderson’s Barefoot in Athens
Farhadi, R., 23 Dec 2022, In: Modern Drama. 65, 4, p. 571-592 22 p.Research output: Contribution to journal › Article › peer-review
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Adapting Shakespeare’s Richard III: A political reading of Hamid-Reza Naeemi’s Richard
Farhadi, R. & Champion, M. G. (Editor), 23 Sept 2020, In: Cogent Arts & Humanities. 7, 1, 15 p., 1823599.Research output: Contribution to journal › Article › peer-review
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Wartime propaganda and gender in Ahmad Mahmoud’s the Scorched Earth: A dissident reading
Farhadi, R., 24 Nov 2020, In: Text Matters. 10, p. 460-476 17 p.Research output: Contribution to journal › Article › peer-review
Open Access