Towards a Micro-Theory of Romantic Form in Viennese Music, 1815–28

Arts and Humanities

1. Corpus 100%
2. Sonata form 100%
3. Limitations 50%
4. Chamber Music 50%
5. Historical evidence 50%
6. Dissemination 50%
7. colleagues 50%
8. Repertoire 50%
9. Collaborative Research 50%
10. Research Project 50%
11. Eighteenth Century 50%