Abstract
In the mid 1880s a little-known photographer named Robert Harris produced a series of albumen prints showing the stages of body searching that black labourers in De Beers diamond mines were obliged to undergo by state ordinance enacted in 1883. The original photographs surfaced briefly in the saleroom in 2007 but have since disappeared. Two sets of copies survive. Bearing in mind the history of documentary photography in South Africa, this article examines the historical and textual significance of this series of photographs in the context of the history of mining and discusses the imperatives and ethics of locating, researching, and publishing controversial imagery in the Internet age.
Original language | English |
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Pages (from-to) | 4-24 |
Number of pages | 21 |
Journal | History of Photography |
Volume | 42 |
Issue number | 1 |
Early online date | 23 May 2018 |
DOIs | |
Publication status | Published - 2018 |
Keywords
- Alfred Duggan-Cronin (1874–1954)
- Amputation
- Archive
- Body
- Cape Town
- Censorship
- Compound
- De beers
- Diamond
- Discipline
- Ernest Cole (1940–90)
- Horace Nicholls (1867–1941)
- Johannesburg
- Kaffir
- Kimberley
- Labour
- Leon Levson (1883–1968)
- Miner
- Robert Harris (dates unknown)
- Searching system
- South Africa
- Trauma
- Woodbury type
- X-ray