Do you see what I'm singing? Visuospatial movement biases pitch perception

Louise Connell, Zhenguang G. Cai, Judith Holler

    Research output: Contribution to journalArticlepeer-review

    Abstract

    The nature of the connection between musical and spatial processing is controversial. While pitch may be described in spatial terms such as " high" or " low" , it is unclear whether pitch and space are associated but separate dimensions or whether they share representational and processing resources. In the present study, we asked participants to judge whether a target vocal note was the same as (or different from) a preceding cue note. Importantly, target trials were presented as video clips where a singer sometimes gestured upward or downward while singing that target note, thus providing an alternative, concurrent source of spatial information. Our results show that pitch discrimination was significantly biased by the spatial movement in gesture, such that downward gestures made notes seem lower in pitch than they really were, and upward gestures made notes seem higher in pitch. These effects were eliminated by spatial memory load but preserved under verbal memory load conditions. Together, our findings suggest that pitch and space have a shared representation such that the mental representation of pitch is audiospatial in nature. © 2012 Elsevier Inc.
    Original languageEnglish
    Pages (from-to)124-130
    Number of pages6
    JournalBrain and Cognition
    Volume81
    Issue number1
    DOIs
    Publication statusPublished - Feb 2013

    Keywords

    • Mental representation
    • Music
    • Pitch perception
    • Space
    • Spatial representation

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