Abstract
This article argues that Euripides employed a form of musical repetition when staging the character Echo in the Andromeda. In doing so he was drawing on innovations in contemporary musical culture to produce a striking dramatic effect. This hypothesis also suggests a new way of approaching Aristophanes’ parody of Euripides’ Echo in the Thesmophoriazusae.
| Original language | English |
|---|---|
| Pages (from-to) | 53–66 |
| Number of pages | 14 |
| Journal | Greek and Roman Musical Studies |
| Volume | 3 |
| Issue number | 1 |
| Publication status | Published - 2015 |