Fugitive Lines: Nasreen Mohamedi 1960-75

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This article engages with the work of non-figurative artist Nasreen Mohamedi produced between 1970 and 1990. It makes a case for using abstraction as a hermeneutically productive way to see the work of Mohamedi in the wake of India's tumultuous and long Partition.
Original languageEnglish
Pages (from-to)44-59
JournalArt Journal
Issue number1
Publication statusPublished - 10 Jul 2014


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