Abstract
It may be tautological to claim that ethnographic films are a form of storytelling; one that combines concomitance and linearity between images and words to show and tell particular stories. However, drawing on Guto and Graça, a 9-minute film on the impact of slum gentrification in Rio de Janeiro, I argue that ethnographic films carry the elements of storytelling in Arendt (1958) and Jackson’s (2013) sense. They work as multi-layered forms of ‘action’ (Arendt, 1958) that bridge the personal and the political during the different phases of production, post-production and dissemination.
| Original language | English |
|---|---|
| Pages (from-to) | 1-18 |
| Journal | Anthrovision |
| Volume | 6 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 1 Dec 2018 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 11 Sustainable Cities and Communities
Keywords
- Storytelling, favelas, ethnographic filmmaking, gentrification, Brazil
Fingerprint
Dive into the research topics of 'Guto and Graça: Ethnographic films and storytelling'. Together they form a unique fingerprint.Research output
- 1 Digital or Visual Products
-
Views of Vidigal: Guto and Graça
Torresan, A. (Photographer), 2018Research output: Non-textual form › Digital or Visual Products
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