Abstract
Across the UK (and the world) more and more photography collections are being made accessible through digitisation projects. Within this general trend, however, there is a significant level of variation in terms of methodology, personnel, financing, accessibility and how digitisation relates to conservation. Two recent projects, at the John Rylands Library and Courtauld Gallery highlight some of the trends and divergence within digitisation today.
| Original language | English |
|---|---|
| Pages (from-to) | 8-10 |
| Number of pages | 3 |
| Journal | Source |
| Volume | 114 |
| Issue number | Spring |
| Publication status | Published - 1 Apr 2024 |
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Rylands Heritage Imaging Lab
Robinson, J. (Core Facility Lead), Richards, T. (Senior Technical Specialist), Castle, J. (Senior Technical Specialist), Simpson, S. (Technical Specialist), Greaves, A. (Technical Specialist), Risbec, L. (Technical Specialist) & Staniforth, H. (Technical Specialist)
Digital Special Collections & ServicesFacility/equipment: Facility