Image and Interpretation: Encoding and Decoding a Narrative Textile Installation

S Andrew

    Research output: Contribution to journalArticlepeer-review

    Abstract

    My research places textiles within a communication paradigm, considering cloth as a narrative form and examining the relationship between authorial intention and viewer interpretation. The personal and cultural experiences that inform the making and reading of textiles are considered through my practice, and the influence of content, cloth and context on viewers’ interpretations of textiles in public spaces are examined. The visual content of my current work reflects on aspects of society, family and cultural myth, particularly how the histories of past lives are represented and interpreted. ‘The Ties That Bind II’ textile triptych is based on the experiences of a Quaker conscientious objector in WW1, and the consequences of his beliefs for himself and his family. The narrative sequence aims to communicate the family at the start of the war, the objector’s imprisonment, and the post war hostility towards conscientious objectors’ families. The visual content of the work was constructed within a semiotic framework in order to test the reading of individual signifiers and visual syntagms within the textiles. The textile triptych was exhibited without a content description at the Bankfield Museum and Art Gallery in West Yorkshire and Manchester Museum of Science and Industry, to examine viewers’ interpretations of the narrative. This paper discusses the construction of the work and the case studies at each site, exploring the meanings attributed to the individual images and narrative textile sequence, but also the personal and cultural influences that informed viewers’ interpretations of the textiles.
    Original languageEnglish
    Pages (from-to)153-186
    Number of pages33
    JournalJournal of Textile Design, Research & Practice
    Volume2
    Issue number2
    DOIs
    Publication statusPublished - Nov 2014

    Keywords

    • textiles, visual communication, interpretation, audiences, design, narrative, semiotics.

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