Abstract
This article explores the semiotics and trans-local dynamics of the decision by a Mancunian pizzeria to brand itself using what is widely regarded as a characteristically Islamist internet meme (the so-called ‘R4bia Sign’). The article explores the genesis, genealogy, and development of a salient religio-political symbol as a means to interrogate specific models of cultural production and reproduction. It focuses in particular on the character of meme-making as a mode of political participation and as part of dissident groups’ repertoires of action. In the process, it problematizes contemporary state policy in relation to policing internet-centred discourse among minority and dissident groups. It is particularly critical of indiscriminate interventions which obscure dynamic, reciprocal, and contextual transformations of meaning associated with ostensibly fixed symbols.
| Original language | English |
|---|---|
| Number of pages | 18 |
| Journal | British Journal of Middle Eastern Studies |
| DOIs | |
| Publication status | Published - 29 Dec 2020 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
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