Abstract
"Listening like an improviser
is responsive, spontaneous play with the emergent interactions of
materials.
is accepting the in- and inter-dependent autonomy of (even recorded) sounds.
is practising agile aurality, seeking mutable points of sonic contact.
is hearing and enjoying coalescence and dissipation without pushing for either.
is valuing the presence of partial aspects, half forms, and incomplete utterances.
is moving and choosing with urgency in iterative, momentary
response.
is staying with the changes (when changing, and being changed).
is not prioritising how to begin, or how to end."
is responsive, spontaneous play with the emergent interactions of
materials.
is accepting the in- and inter-dependent autonomy of (even recorded) sounds.
is practising agile aurality, seeking mutable points of sonic contact.
is hearing and enjoying coalescence and dissipation without pushing for either.
is valuing the presence of partial aspects, half forms, and incomplete utterances.
is moving and choosing with urgency in iterative, momentary
response.
is staying with the changes (when changing, and being changed).
is not prioritising how to begin, or how to end."
| Original language | English |
|---|---|
| Pages (from-to) | 32-44 |
| Journal | CeReNeM Journal |
| Volume | 8 |
| Publication status | Published - Dec 2023 |
Keywords
- Improvisation
- Composition
- Collage
- Acoustic collage
- Sound studies
- Montage
- Contemporary Music
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