Ruptured times: Advances in visual environmental humanities

Jacob von Heland; Bill Adams; Marco Armiero; Klara Björk; Kalle Boman; Andrés Fabián Henao Castro; Sompot Chidgasornpongse; Miyase Christensen; Thomas Dark; El-Kogali Issraa; Henrik Ernstson; Alison Griffiths; Erik Isberg; Mike Jarmon; Wangui Kimari; Tara McPherson; Jakob Nilsson; Jan Olsson; Daniel Oxenhandler; Madina Tlostanova; Jannike Åhlund

Ruptured times: Advances in visual environmental humanities

Jacob von Heland (Editor), Bill Adams (Editor), Marco Armiero (Editor), Klara Björk (Editor), Kalle Boman (Editor), Andrés Fabián Henao Castro (Editor), Sompot Chidgasornpongse (Editor), Miyase Christensen (Editor), Thomas Dark (Editor), El-Kogali Issraa (Editor), Henrik Ernstson (Editor), Alison Griffiths (Editor), Erik Isberg (Editor), Mike Jarmon (Editor), Wangui Kimari (Editor), Tara McPherson (Editor), Jakob Nilsson (Editor), Jan Olsson (Editor), Daniel Oxenhandler (Editor), Madina TlostanovaJannike Åhlund

Research output: Contribution to journal › Special issue › peer-review

Abstract

This first issue of Annals of Crosscuts includes eleven richly textured films that speak from the growing environmental humanities with strong intent and originality. The films speaks to the theme of "Ruptured Times" and forms a testimony to the integrative ambitions of the environmental humanities. The contributors come from a range of disciplines, schools and practices including artistic research, urban and architectural studies, social movements of the urban south, political ecologies of water, studies of mining legacies, decolonial performance aesthetics, science studies and ethnographies of conservation, toxicity and more-than-human relations. Made in ten countries, at four continents, the films are the final outcomes of a collaborative peer-review process that started in the first half of 2019, screened at the Crosscuts festival in late 2019 and published as a film-based special issue at Zenodo, CERN, in 2021 with a reflection from chief editor Jacob von Heland.

Original language	English
Journal	Annals of Crosscuts – Films of Environmental Humanities
Volume	1
Issue number	1
Publication status	Published - 2021

Access to Document

https://crosscuts.se/annals-of-crosscuts/films-of-environmental-humanities/

1 Digital or Visual Products

One Table Two Elephants: A cinematic ethnography about race, nature and ways of knowing the postcolonial city (84 minutes, Color, HD, Dolby 5:1)
von Heland, J. & Ernstson, H., 18 Mar 2018
Research output: Non-textual form › Digital or Visual Products

Open Access
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Cite this

von Heland, J. (Ed.), Adams, B. (Ed.), Armiero, M. (Ed.), Björk, K. (Ed.), Boman, K. (Ed.), Henao Castro, A. F. (Ed.), Chidgasornpongse, S. (Ed.), Christensen, M. (Ed.), Dark, T. (Ed.), Issraa, E-K. (Ed.), Ernstson, H. (Ed.), Griffiths, A. (Ed.), Isberg, E. (Ed.), Jarmon, M. (Ed.), Kimari, W. (Ed.), McPherson, T. (Ed.), Nilsson, J. (Ed.), Olsson, J. (Ed.), Oxenhandler, D. (Ed.), ... Åhlund, J. (2021). Ruptured times: Advances in visual environmental humanities. Annals of Crosscuts – Films of Environmental Humanities, 1(1). https://crosscuts.se/annals-of-crosscuts/films-of-environmental-humanities/

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title = "Ruptured times: Advances in visual environmental humanities",

abstract = "This first issue of Annals of Crosscuts includes eleven richly textured films that speak from the growing environmental humanities with strong intent and originality. The films speaks to the theme of {"}Ruptured Times{"} and forms a testimony to the integrative ambitions of the environmental humanities. The contributors come from a range of disciplines, schools and practices including artistic research, urban and architectural studies, social movements of the urban south, political ecologies of water, studies of mining legacies, decolonial performance aesthetics, science studies and ethnographies of conservation, toxicity and more-than-human relations. Made in ten countries, at four continents, the films are the final outcomes of a collaborative peer-review process that started in the first half of 2019, screened at the Crosscuts festival in late 2019 and published as a film-based special issue at Zenodo, CERN, in 2021 with a reflection from chief editor Jacob von Heland.",

author = "{von Heland}, Jacob and Bill Adams and Marco Armiero and Klara Bj{\"o}rk and Kalle Boman and {Henao Castro}, {Andr{\'e}s Fabi{\'a}n} and Sompot Chidgasornpongse and Miyase Christensen and Thomas Dark and El-Kogali Issraa and Henrik Ernstson and Alison Griffiths and Erik Isberg and Mike Jarmon and Wangui Kimari and Tara McPherson and Jakob Nilsson and Jan Olsson and Daniel Oxenhandler and Madina Tlostanova and Jannike {\AA}hlund",

year = "2021",

language = "English",

volume = "1",

journal = "Annals of Crosscuts – Films of Environmental Humanities",

publisher = "KTH Environmental Humanities Laboratory",

number = "1",

}

von Heland, J (ed.), Adams, B (ed.), Armiero, M (ed.), Björk, K (ed.), Boman, K (ed.), Henao Castro, AF (ed.), Chidgasornpongse, S (ed.), Christensen, M (ed.), Dark, T (ed.), Issraa, E-K (ed.), Ernstson, H (ed.), Griffiths, A (ed.), Isberg, E (ed.), Jarmon, M (ed.), Kimari, W (ed.), McPherson, T (ed.), Nilsson, J (ed.), Olsson, J (ed.), Oxenhandler, D (ed.), Tlostanova, M & Åhlund, J 2021, 'Ruptured times: Advances in visual environmental humanities', Annals of Crosscuts – Films of Environmental Humanities, vol. 1, no. 1. <https://crosscuts.se/annals-of-crosscuts/films-of-environmental-humanities/>

TY - JOUR

T1 - Ruptured times

T2 - Advances in visual environmental humanities

AU - Tlostanova, Madina

AU - Åhlund, Jannike

A2 - von Heland, Jacob

A2 - Adams, Bill

A2 - Armiero, Marco

A2 - Björk, Klara

A2 - Boman, Kalle

A2 - Henao Castro, Andrés Fabián

A2 - Chidgasornpongse, Sompot

A2 - Christensen, Miyase

A2 - Dark, Thomas

A2 - Issraa, El-Kogali

A2 - Ernstson, Henrik

A2 - Griffiths, Alison

A2 - Isberg, Erik

A2 - Jarmon, Mike

A2 - Kimari, Wangui

A2 - McPherson, Tara

A2 - Nilsson, Jakob

A2 - Olsson, Jan

A2 - Oxenhandler, Daniel

PY - 2021

Y1 - 2021

N2 - This first issue of Annals of Crosscuts includes eleven richly textured films that speak from the growing environmental humanities with strong intent and originality. The films speaks to the theme of "Ruptured Times" and forms a testimony to the integrative ambitions of the environmental humanities. The contributors come from a range of disciplines, schools and practices including artistic research, urban and architectural studies, social movements of the urban south, political ecologies of water, studies of mining legacies, decolonial performance aesthetics, science studies and ethnographies of conservation, toxicity and more-than-human relations. Made in ten countries, at four continents, the films are the final outcomes of a collaborative peer-review process that started in the first half of 2019, screened at the Crosscuts festival in late 2019 and published as a film-based special issue at Zenodo, CERN, in 2021 with a reflection from chief editor Jacob von Heland.

AB - This first issue of Annals of Crosscuts includes eleven richly textured films that speak from the growing environmental humanities with strong intent and originality. The films speaks to the theme of "Ruptured Times" and forms a testimony to the integrative ambitions of the environmental humanities. The contributors come from a range of disciplines, schools and practices including artistic research, urban and architectural studies, social movements of the urban south, political ecologies of water, studies of mining legacies, decolonial performance aesthetics, science studies and ethnographies of conservation, toxicity and more-than-human relations. Made in ten countries, at four continents, the films are the final outcomes of a collaborative peer-review process that started in the first half of 2019, screened at the Crosscuts festival in late 2019 and published as a film-based special issue at Zenodo, CERN, in 2021 with a reflection from chief editor Jacob von Heland.

M3 - Special issue

VL - 1

JO - Annals of Crosscuts – Films of Environmental Humanities

JF - Annals of Crosscuts – Films of Environmental Humanities

IS - 1

ER -

Ruptured times: Advances in visual environmental humanities

Abstract

Access to Document

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Research output

One Table Two Elephants: A cinematic ethnography about race, nature and ways of knowing the postcolonial city (84 minutes, Color, HD, Dolby 5:1)

Cite this