TY - JOUR
T1 - Ruptured times
T2 - Advances in visual environmental humanities
AU - Tlostanova, Madina
AU - Åhlund, Jannike
A2 - von Heland, Jacob
A2 - Adams, Bill
A2 - Armiero, Marco
A2 - Björk, Klara
A2 - Boman, Kalle
A2 - Henao Castro, Andrés Fabián
A2 - Chidgasornpongse, Sompot
A2 - Christensen, Miyase
A2 - Dark, Thomas
A2 - Issraa, El-Kogali
A2 - Ernstson, Henrik
A2 - Griffiths, Alison
A2 - Isberg, Erik
A2 - Jarmon, Mike
A2 - Kimari, Wangui
A2 - McPherson, Tara
A2 - Nilsson, Jakob
A2 - Olsson, Jan
A2 - Oxenhandler, Daniel
PY - 2021
Y1 - 2021
N2 - This first issue of Annals of Crosscuts includes eleven richly textured films that speak from the growing environmental humanities with strong intent and originality. The films speaks to the theme of "Ruptured Times" and forms a testimony to the integrative ambitions of the environmental humanities. The contributors come from a range of disciplines, schools and practices including artistic research, urban and architectural studies, social movements of the urban south, political ecologies of water, studies of mining legacies, decolonial performance aesthetics, science studies and ethnographies of conservation, toxicity and more-than-human relations. Made in ten countries, at four continents, the films are the final outcomes of a collaborative peer-review process that started in the first half of 2019, screened at the Crosscuts festival in late 2019 and published as a film-based special issue at Zenodo, CERN, in 2021 with a reflection from chief editor Jacob von Heland.
AB - This first issue of Annals of Crosscuts includes eleven richly textured films that speak from the growing environmental humanities with strong intent and originality. The films speaks to the theme of "Ruptured Times" and forms a testimony to the integrative ambitions of the environmental humanities. The contributors come from a range of disciplines, schools and practices including artistic research, urban and architectural studies, social movements of the urban south, political ecologies of water, studies of mining legacies, decolonial performance aesthetics, science studies and ethnographies of conservation, toxicity and more-than-human relations. Made in ten countries, at four continents, the films are the final outcomes of a collaborative peer-review process that started in the first half of 2019, screened at the Crosscuts festival in late 2019 and published as a film-based special issue at Zenodo, CERN, in 2021 with a reflection from chief editor Jacob von Heland.
M3 - Special issue
VL - 1
JO - Annals of Crosscuts – Films of Environmental Humanities
JF - Annals of Crosscuts – Films of Environmental Humanities
IS - 1
ER -