Abstract
Exploring topics such as race, genocide, migration, and war, Magelssen carefully analyses the ethics and politics of simulation in the context of participatory performance.
| Original language | English |
|---|---|
| Pages (from-to) | 529-531 |
| Number of pages | 3 |
| Journal | Modern Drama |
| Volume | 58 |
| Issue number | 4 |
| Publication status | Published - 2015 |
Keywords
- living history
- participatory performance
- simulation
