Textures: processus et événement dans la création poétique moderne et contemporaine

Translated title of the contribution: Textures: Processes and Events in Modern and Contemporary Poetic Creation

Jeff Barda, Daniel Finch-Race

Research output: Book/ReportBookpeer-review

Abstract

This volume aims to question the place that textures hold in the field of aesthetic experience. In an image, a text, a movement, something weaves, stumbles, repeats, undoes and deforms; a color, a stain, a line, a stage fright, a syntactical break, a cheerful b, a noise, a close-up open multiple sensory bifurcations. So what techniques of inscription, composition - weaving - are used in painting, cinema, music, theatre, video, performance and literature? How to define them, grasp them, approach them in their singularity? The articles gathered here seek to describe and render perceptible the way in which textures form-deform-reconfigure-r not only actualize the objects in which they engage, but also our ways of being. If the problem of textures enjoys a certain topicality in the fields of creation and research, there remains for us the need to map this notion, and to propose a constellation in the sky of the present.
Translated title of the contributionTextures: Processes and Events in Modern and Contemporary Poetic Creation
Original languageFrench
Place of PublicationOxford
PublisherPeter Lang
Number of pages248
ISBN (Electronic)9783035307238
ISBN (Print)9783034318983
Publication statusPublished - 29 Jun 2015

Publication series

NameModern French Identities
Volume120

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