Abstract
Sol LeWitt's text Sentences on Conceptual Art is one of the most cited artists writings of the 1960s, a decade when the stagnation of modernist criticism prompted an increasing number of practitioners to theorise their work. Since then, art historians have deployed LeWitt's Sentences to interpret his artistic practice, seeking access to the artist's intentions in these terse pronouncements. Others have highlighted the contradictory nature of LeWitt's writings, not least when they address the relationship between art and language (see above). But for LeWitt, the Sentences were neither a key to understanding his work, nor a deliberate foil to that endeavour. Instead, he described them cryptically as: an operational diagram to automate art. This article takes seriously LeWitt's playful suggestion that his Sentences are a kind of diagram which, rather than simply explaining his practice, might enable it to function mechanically. Although LeWitt's interest in the machine has been previously noted, the author traces his vocabulary to an article on Mallarmé and Serialist Thought LeWitt read during the mid-1960s. Stéphane Mallarmés description of his Book as a mechanism set in motion by an operator proved highly influential for LeWitt, who adopted similar language in his writings on conceptual art. By exploring this encounter the author will highlight their shared, mechanical vocabulary, and a common urge to displace the author by constructing a permutational system. Another text by LeWitt took the form of an instruction manual, published alongside Roland Barthes's The Death of the Author in a 1967 issue of Aspen magazine dedicated to Mallarmé. Issues of authorship, appropriation and homage were paramount during this prolific moment in the recent history of artists writings. © 2012 Taylor & Francis.
Original language | English |
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Pages (from-to) | 374-383 |
Number of pages | 9 |
Journal | Word and Image |
Volume | 28 |
Issue number | 4 |
DOIs | |
Publication status | Published - 1 Oct 2012 |
Keywords
- artists' writings
- conceptual art
- Sol LeWitt
- Stéphane Mallarmé