Abstract
This chapter examines the temporal texturing of Apollonius Rhodius’ Argonautica. Unlike the Aeneid, the Argonautica is not tied to a specific political project, but it uses epic and specifically Homeric narrative models more allusively to shape its reader’s experience of the world. Focusing on Orpheus’ cosmogonic song, the ecphrasis of the Acherousian headland, and then the consequences of desire as felt by Medea, Phillips draws attention to the small moments of temporal shaping within the Argonautica – how time is experienced by the characters and the readers on the level of the individual line, phrase and even word – which contain the many perspectives offered by Apollonius on navigating the burden of living as a subject of history.
Original language | English |
---|---|
Title of host publication | The Cambridge Companion to Ancient Greek Epic |
Editors | Emma Greensmith |
Place of Publication | Cambridge |
Publisher | Cambridge University Press |
Chapter | 9 |
Pages | 184-203 |
Number of pages | 20 |
ISBN (Electronic) | 9781009087377 |
ISBN (Print) | 9781009086585 |
DOIs | |
Publication status | Published - Nov 2024 |
Keywords
- Apollonius
- Argonautica
- temporality
- experience
- subjective
- language
- Quint
- Orpheus
- Acherousian headland
- Medea