Abstract
A violent event in the Democratic Republic of the Congo and the loss of a friend created a path for re-engaging with applied theatre and love for the field of applied theatre. In a singularly loveless world, theatre practitioners, performance scholars, and activists need to renew a sense of passion, joy, and commitment to their work.
| Original language | English |
|---|---|
| Pages (from-to) | 167-179 |
| Number of pages | 12 |
| Journal | TDR: the journal of performance studies |
| Volume | 65 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 18 Mar 2021 |
