Abstract
This article considers today’s ‘post-digital’ political publishing through the material forms of an experimental book, The 2015 Baltimore Uprising: A Teen Epistolary. Anonymously published and void of all editorial text, the book is comprised entirely of some 650 screen-grabbed tweets, tweets posted by black Baltimore youth during the riots that ensued on the police killing of Freddie Gray. It is a crisis-ridden book, bearing the wrenching anti-black terror and rebellion of Baltimore 2015 into the horizon of publishing. Drawing on critical theories of books and digital media, and bringing Saidiya Hartman and Frank Wilderson to bear on issues of publishing, the article appraises seven aspects of this book’s materiality: its epistolary structure and rupture with the book-as-closure; its undoing of the commodity form of books; the ‘poor image’ of its visual scene; its recourse to facial redaction and voiding of narrative progression; and its destabilisation of readers’ empathy.
| Original language | English |
|---|---|
| Pages (from-to) | 97-121 |
| Number of pages | 25 |
| Journal | Theory, Culture & Society: explorations in critical social science |
| Volume | 37 |
| Issue number | 3 |
| Early online date | 16 Jan 2020 |
| DOIs | |
| Publication status | Published - 2020 |
Keywords
- Afro-pessimism
- books
- materiality
- publishing
- race and racism
- riots
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