Abstract
This chapter addresses Segun Akinola's music for Doctor Who, including his arrangement of Ron Grainer's main title theme, which makes use of and augments some of the components from Delia Derbyshire's original arrangement of the theme in 1963. Drawing on the work of Bliss Cua Lim on temporality and the fantastic and an original interview with Segun Akinola, the chapter argues that Akinola has provided the first sustained decentring of the Eurocentric tendency in the vast majority of the music for Doctor Who through an approach to scoring that foregrounds a commitment to temporal and cultural diversity, corresponding directly with the core premise of a programme that travels through time and space. The chapter focuses in particular on Akinola's score for 'Demons of the Punjab' (2018), which features a collaboration with musicians with specialising in forms of North Indian music.
Original language | English |
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Title of host publication | Doctor Who - New Dawn |
Subtitle of host publication | Essays on the Jodie Whittaker era |
Editors | Brigid Cherry, Matt Hills, Andrew O'Day |
Place of Publication | Manchester |
Publisher | Manchester University Press |
Chapter | 1 |
Pages | 27-40 |
Number of pages | 14 |
ISBN (Print) | 9781526151872 |
Publication status | Published - 8 Oct 2021 |
Keywords
- Television
- Fantasy & Horror
- Science Fiction
- History & Criticism
- Television & film
- Television Scripts & Screenplays
- Television Studies
- The arts
- Performing arts