Abstract
The generational divide that has emerged in Timor-Leste since its return to independence in 2002 is perhaps one of the most significant challenges to the on-going nation-building project. The consecutive occupations of Timor-Leste by Portugal and Indonesia have left distinct cultural-linguistic heritages for the respective generations. As a result of its cultural and linguistic associations with the most recent foreign occupier, members of the Geração Foun (the 'new generation') have experienced cultural exclusion and significant under-representation in the new nation-state. This article explores the ways in which a group of artists form this younger generation has utilised street art as a public medium of expression to identify with, and simultaneously critique, the dominant culture of the post-independence state established by the older generation. The artists identify as members of the Geração Foun and their work highlights and represents grievances that have been expressed by many as a result of of the generational divide in the post-independence state. These articulations are expounded by the language choices made by the street artists in their work.
| Original language | English |
|---|---|
| Pages (from-to) | 41-63 |
| Number of pages | 22 |
| Journal | Cadernos de Arte e Antropologia |
| Publication status | Published - 2015 |
Research Highlights, Institutes and Platforms
- Humanitarian and Conflict Response Institute
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